
Aidan Hart is an exceptional iconographer in Great Britain. His work is inspiring and his articles on sacred art, iconograpahy, Orthodox architecture and more are wonderfully informative and helpful to those of us who are beginning to paint/write icons (the icons pictured here are mine not his). The excerpt below is from his article on Christianity and Sacred Art Today.
2. The principles of sacred art in general
Having described the features of the icon in particular, it would be helpful to
recapitulate by summarizing the principles of sacred art in general. These principles
will be useful as we now turn to early twentieth century art, and finally, to church art
in our own times.
• Sacred art mediates. It does more than offer a fleeting aesthetic experience. The
way it is painted and used initiates us into a relationship with the person or
realities depicted. It is original in the deepest sense, in that it penetrates to the
origins of things.
• Sacred art participates in what it represents. The icon is the fruit of raw materials
being gathered together and made into something better still by priestly man and
then filled with divine grace.
• Sacred art helps to change our way of seeing the world – metanoia. In unveils the
inner beauty of things and reveals them as gifts and not mere objects.
• Sacred art is always liturgical, always part of a way of life. The Russians have a
term meaning “the art of liturgical living” – bytovoe blagochestie.
• Sacred art can be prophetical. At its best, it gives new insight, brings out the best
in a given time and culture, reveals God’s providence, is the living wor dof God.
• Sacred art reveals the inner essences of things. It is never naturalistic, but aims to
be realistic, using abstract means to reveal not only the visible outer form of
things but also the invisible realities, what the Fathers called the logoi of things.
• Sacred art affirms and incorporates elements of its mother culture. It is in fact a
child born of the union of the eternal God with a particular human culture rooted
in time. This explains both authentic art’s timelessness and its dynamic quality.